“Banjo” could be a film concerning the underdogs each the device that has ne’er maybe got its due, furthermore because the four protagonists of the film, who play stringed instrument within the ghettos of urban center to earn an additional buck to supplement their marginal income. They’ll be keen about their music, however earning a keep takes over and that they ne’er relish their music or take it seriously. Chris (Nargis Fakhri) a musician from NY involves urban center in search of the popular quartet, once hearing the clip her friend and sound recordist Mikey (Luke Kenny) sends her, as she believes they’ll facilitate her create the winning composition that she is keen to submit for a music pageant in NY.
Director: Ravi Jadhav
Cast: Riteish Deshmukh, Nargis Fakhri, Dharmesh Yelande, Raja Menon, Aditya Kumar, Mohan Kapur, Luke Kenny
Banjo Story Plot
Nandkishore aka Tarrat (Riteish Deshmukh), a stringed instrument player by night and an crook by day, who collects cash for the native corporator Patil, whom he appearance up to, Paper (Aditya Kumar), who could be a paper vendor, Vajjya (Raja Menon) who perpetually dreams of flying in an craft, complete with a horny hostess, and Grease, an automotive mechanic, kind the foursome. Music binds these friends who crave for reputability that clearly eludes them. The familial pressures to allow up music and earn a correct keep, rival gang fights of slum dwellers and their dreams, action, romance, drama, to an extent even humor and pathos, director Ravi Jadhav has managed to inject all the doable ingredients during this cheap film and given it the flavor of an sacred opera with messages too.
Yet, there is one thing innately lacking during this film. It lacks depth. Its rustic essence is adorable and appealing in components, however it skims the surface, as do all its one-dimensional characters. The premise looks half-baked and far-fetched and sadly, the weak book doesn’t facilitate. Riteish Deshmukh is sincere and even tries to seem just like the musician he’s enjoying. He fights, he emotes, sings and dances. His raw vulnerability and ease in some scenes is adorable, however the script limits him.
Nargis Fakhri looks discrepant, although she makes a real effort to portray her character. The essential premise of her character travel from NY to urban center in search of a neighborhood stringed instrument cluster within the chawls, itself is ridiculous. Her accent is to keep along with her character, as is her svelte apparel, however it doesn’t get somewhere.
Aditya Kumar, Dharmesh Yelande and Raja Menon play their components effectively. Aditya Kumar significantly stands call at the trio. Mohan Kapur because the big deal of a music company has nothing abundant to supply. Luke Kenny as Mikey the sound recordist who speaks unflawed Hindi and Sanskrit, is real. The music by Vishal-Shekhar is beyond question a highlight of the film and “Bappa”, “Rada”, “Udan choo” and “Rehmo Karam” are numbers with foot-tapping beats, emotional lyrics and are mellifluously sung. The songs are well-picturised too and lensman Manoj Lobo has captured urban center superbly.
In parts, “Banjo” has traces of films like “ABCD” and therefore the obstacles in their path to create it huge appear forced too, however it’s the simplicity of the theme that redeems it to an extent.